Lessons of Babel   /   Summer 2025   /    Thematic—Lessons of Babel

The Word Made Lifeless

We are all stochastic parrots now.

Talbot Brewer

Xu Haiwei via Unsplash.

There are moments when finding the right word takes on special urgency. You might be talking, over beers, with a friend going through a wrenching divorce. Or talking with your own spouse about the antipathies that keep welling up between you and have now risen to a crisis, and whether you can still picture a future you both want. In such moments, you need words called forth by the singular person before you and the singular crisis at hand. To look for guidance in “what one says,” or to fall into cliché, would be a serious failing—a failure to bring yourself into full presence with the other. To indulge in euphemisms or to be insistently optimistic would be a different sort of failing—a failure to trust another to endure un-prettified truth.

Such moments often take you to the edge of your understanding of life and its significance and trials. Your thoughts are not already clear, worded, needing only to be enunciated. They are half-formed and obscure. Words are the medium with which you can give them sufficient definiteness to truly have them. The initial thing—the embryonic thought—is on the way to being. It is determinate enough that you can recognize the right words for it when you find them, but not yet so determinate that the words flow easily. By wording what is at the still-hazy horizon of our thought, we illuminate it. And in the realm of thought, illumination is the same thing as being. The power of the word is, then, a creative power, a power to give birth to thought—that is, to move thoughts toward greater clarity, which is to say, toward full and vivid being. For our deepest and most formative thoughts—the thoughts that form the central elements of our conception of what we are called to do with this life—this is a long road, a road we will be traversing for our entire lives.

In difficult conversations, the operation of this questing and creative power is sometime audible. There are pauses, false starts and restarts, sometimes an explicit cancellation, a “No, that’s not the word for it,” or “That’s not quite what I’m trying to say.” At such times, we feel the allure of what Heidegger rightly took to be the characteristic Greek conception of the human form of being: “Being on the way toward what is to be uncovered.” As Plato put it, the human form of existence is not, in the full and strict sense, to be (einai). Being in the fullest sense is reserved for those things that never change: numbers, geometric shapes, goodness. Humans are on the way to being. Their life is a continual becoming or being born (gignesthai—the Greek word has both meanings). In Bob Dylan’s folksier formulation, “He not busy being born is busy dying.”

The quest for words is a crucially important driver of this continuous emergence toward being. As we bring our thoughts to words, we give to ourselves a more definite and concerted identity. This too is sometimes audible, and even visible. There is a difference between a speaker who is reading a paper without thinking the thoughts being articulated and a speaker who is having the thoughts expressed by his words. In the latter case, you can hear the speaker gathered up and enlivened by his speech. This is what fresh and truly fitting words do: They awaken us. They reenact the uncanny event of the quickening of clay.

Matters are quite otherwise with the new text generators we have so recently brought into our lives, and to which we now delegate a rapidly growing share of our quest for fitting words. If we can speak of thinking here, it is thinking of a wholly different kind. These new entities have no still-hazy intimations of their own that their words might either crystallize or bastardize. There is no possibility of felt urgency in their quest for words, none of that nearly erotic excitement we humans feel when we finally have the thought we have been groping for. They have no pangs of conscience when their words sound shallow or cliché. Indeed, cliché is their special strength: They cleave to the center of gravity of the vast sea of human-generated texts, finding each new word by predicting what human beings would most likely say. They have nothing of their own to say, no life from which they might say it, nor any soul or self their words might fashion or disfigure. They are, as it has aptly been put, stochastic parrots.

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