Harlequin as Hammer

Posted on February 13, 2015
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Cubism’s stylistic hegemony—the dislocated binaries, the tactile surfaces in a two-dimensional work, and the distortions—interferes with what we want to understand about what few clues we can decipher.

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The End(s) of History

Posted on February 12, 2015
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Moyn's ambition for the discipline of history undercuts its legitimacy as a distinct form of knowledge and denies the ethic of the craft.

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