Taylor Swift’s recent trademarking frenzy is another example of how artists are scrambling to maintain control over their work in the face of the digital tsunami.
Moyn's ambition for the discipline of history undercuts its legitimacy as a distinct form of knowledge and denies the ethic of the craft.
Noteworthy reads from the last week.
Cubism’s stylistic hegemony—the dislocated binaries, the tactile surfaces in a two-dimensional work, and the distortions—interferes with what we want to understand about what few clues we can decipher.
