The Uses of Artistic Extravagance
Jean-Luc Godard, like Nietzsche and Wittgenstein and Heidegger, is worth paying attention to even when we think his work is bad
Jean-Luc Godard, like Nietzsche and Wittgenstein and Heidegger, is worth paying attention to even when we think his work is bad
Warikoo might have explored the ways in which Asian cultural repertoires matched up with the neoliberal transformation of our schools and colleges.
The face we present to the world is the primary signifier we possess.
Viktor Orbán has become a canvas for the projection of hopes and fears about the future of democracy in the West.
You can trade false simplicity for complicated truth.
Are we willing to undertake the long, slow work of persuasion in a time of the politics of personal destruction?