Harlequin as Hammer

Cubism’s stylistic hegemony—the dislocated binaries, the tactile surfaces in a two-dimensional work, and the distortions—interferes with what we want to understand about what few clues we can decipher.
Cubism’s stylistic hegemony—the dislocated binaries, the tactile surfaces in a two-dimensional work, and the distortions—interferes with what we want to understand about what few clues we can decipher.
Noteworthy reads from the last week.
Moyn's ambition for the discipline of history undercuts its legitimacy as a distinct form of knowledge and denies the ethic of the craft.
Noteworthy reads from the last week.