Pretending to Destroy Art to Save the World

What we are seeing, then, is a fictional spectacle—a pseudo-iconoclastic event.
What we are seeing, then, is a fictional spectacle—a pseudo-iconoclastic event.
The Hedgehog recommends.
The world circa 2000 was not Napoleonic.
The genealogical approach has found surprising success in an unlikely genre.
Jean-Luc Godard, like Nietzsche and Wittgenstein and Heidegger, is worth paying attention to even when we think his work is bad
Warikoo might have explored the ways in which Asian cultural repertoires matched up with the neoliberal transformation of our schools and colleges.